Unlike digital cameras, film shots do not have white balance. In a sense, their white balance is permanently set to something like the "Daylight" setting on most digital cameras. So, what this means is that if you shoot film at night under normal tungsten light, without any corrections the results would be very orange. So, when film shot this way is scanned, it is corrected at the lab to have a more normal looking color balance. The result is often quite different than how the same film tends to look under normal daylight conditions, giving a really unique and nice look to night time photos. Just applying a regular VSCO Film preset to a tungsten lit photo wouldn't really do this look justice, so we decided instead to create these separate versions just for this.
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